At PAD Design Art in Paris, one of Europe's most prestigious fairs for design, art, and decorative arts, we presented the Gandhara Carapace table through Galerie BSL, the Paris-based gallery that represents our collectible work internationally. The piece was created in collaboration with Studio Lel, a design studio founded by Pakistani-British designer Zara Latif, and brought together our marquetry inlay vocabulary with Studio Lel's exploration of Gandharan art, the ancient artistic tradition that emerged at the crossroads of Central and South Asia. It was the first presentation of that collaboration to a European fine art audience.

We were featured in INFINITI's Makers Series, a content and storytelling platform created by the Japanese luxury car brand to celebrate craftspeople around the world who were pushing the boundaries of their disciplines. The series drew a parallel between INFINITI's own philosophy of precision engineering and the kind of careful, skilled making we practise in our studio. We spoke about what it means to keep traditional Arab craft techniques alive in a contemporary design context, and why precision and patience are values that connect making across very different fields.

At Design Miami 2022, the world's leading fair for collectible design, we collaborated with Kohler, the American plumbing and bath brand, to create a large-scale installation reimagining the traditional hammam, the communal bathhouse at the heart of Arab social life for centuries. The installation was built entirely from handcrafted ceramic tiles produced through Kohler's WasteLAB programme, which transforms manufacturing waste into new materials. It was both a cultural statement and a design experiment: an ancient ritual space rebuilt from the material discards of industrial production.